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Wenunetith |
Дата: Суббота, 05.10.2013, 23:25 | Сообщение # 1 |
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http://3.bp.blogspot.com/-9PZwZhhtwPY/UiQtgW5uxpI/AAAAAAAAAb8/1Wale7ufx2g/s640/BOTY_final_1.jpg
"Fight of the Year" touches on exactly how the remainder of the globe has welcomed b-boy culture, but how they're not viewed as reducing edge or cool in the Usa.
That stresses the Sean Combs-like impresario, Dante (Laz Alonso): "How long before hip-hop isn't really cool?".
He needs to secure his dance, songs and fashion trend empire by placing American b-boys back on best. He employs an aged dance buddy, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed on the present state of dancing, then recruit and coach a "dream group" of the ideal of America's ideal to handle the remainder of the globe, which has actually passed America by and long controlled the yearly b-boy Olympics called "BOTY," the Battle of the Year.
That team consists of assorted conceited, chip-on-their-shoulder showoffs, because that's just what it takes to succeed. Real celebrity dancers such as Do Knock and Flipz are blended with others, including singer Chris Brown.
And aiding coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, director of the clear-cut documentary on the worldwide sensation, "Planet B-Boy," co-wrote and directed this, and immodestly has personalities view that film and sing its applauds. Holloway could not also mean an actual dancing past, so the flick fabricates that by having his coach operate his people through drills (in split-screen sequences).
Peck, when of T.V's "Drake & Josh," one-time celebrity of "The Wackness," has a small, supporting task however is given top invoicing. In this situation, that suggests his every scenario includes very fabricated and coiffed close-ups. It's laughable.
Tabloid favorite Brown even more than holds his own with this staff, obviously not also needing a dance double. The dancing settings-- especially those entailing groups from Germany, France and Korea-- take the b-boy relocate to the following level.
And there are lots of simple, undemanding laughs, the best lines originating from Peck's assistant coach.
"You appear like a gazelle out there," he praises his employer. "A gazelle with arthritis." Which, while it doesn't describe the motion picture, does hit this genre right in the bull's eye. But then, the elegance of "Step Up" and all its weary imitators is that the audience they're shooting for has no suggestion that there have actually been 20 or 30 films precisely like this one that came before it.
He has to secure his dance, fashion trend and music empire by placing American b-boys back on top. He hires an old dancing pal, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to quicken on the existing state of dance, then recruit and coach a "desire group" of the ideal of America's ideal to take on the rest of the globe, which has passed America by and long dominated the yearly b-boy Olympics known as "BOTY," the Battle of the Year.
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